One of the things I missed most when I came to San Miguel
was film. Movies were always part of my life.
I was a little girl, maybe five, the first time we went to
the movies to see Dorothy Dandridge and Harry Belafonte in Carmen Jones. We went right after church, dressed in our Sunday
best. We couldn’t go see our Negro movies stars in everyday clothes. That would
be insulting. Dorothy slithered and strutted so that even Granddaddy, who was
as straight up and down and they came, ogled her. She strutted across the screen
singing, “I go for you and I’m taboo.” All three women, Grandma, Aunt Hazel and
Mama, transferred Harry’s seething desire for Dorothy to themselves. They vibrated
at a high frequency during dinner that night.
The movies I watched were light fare until I took a foreign
film class in college freshman year —once a week at the theatre on 6th
Avenue, opposite West 3rd Street. Our class met in the morning
before the theatre opened to the public. These movies were slower, had less
dialogue. Directors, not the actors, were the stars of these films: Kurosawa, who
showed me that perspective is everything; Fellini, blending seemingly
discordant elements; Godard, who mixed popular American culture with Marxist
ideas; Truffaut, who exposed my naïve seventeen-year-old self to a tragic love
triangle; and Bergman, my favorite, who coaxed the most amazing performance I’d
ever seen by an actress from Liv Ullmann in Face
to Face. Movies take me to other worlds, something I’ve needed to do more
and more since Trump became the president. Thank God we have them now in San
Miguel.
When I arrived almost twelve years ago there were none—well
not exactly. There was one movie theatre in the old Gigante mall that primarily
showcased blockbusters, a hotel in Centro, the Jacaranda, which projected
classics on a pull-down screen, and a poorly stocked Blockbuster store. I caught as many movies as I could when I was in
the States, friends sent bootlegs from New York but me, the woman who saw
everything, had seen less than a quarter of the films nominated for Globes and
Academies my first year in San Miguel—something else that made me feel
disconnected from old life.
Then the bootlegs came. Initially I resisted. I wouldn’t buy
them in the States because I thought it was fundamentally wrong to profit from
someone’s creation without paying them. And lots of my friends were actor and
musicians who needed their royalties. But I quickly abandoned my scruples. I
remembered something one of my aunts said when she was in her 80s, “Cyn, you
trade-in some of your righteousness for pleasure when you get older,” and made
that my rational for abandoning my principles. Movies bring me pleasure and I
need all I can get now that this misogynistic, ego manic is running America.
Daily I vacillate. How do you categorize what’s happening?
Is it a farce or a nightmare? Ben Carson to head HUD (because he’d grown up in
a housing project), Scott Prutt, an anti-climate control guy, in charge of the
EPA, and Trump’s constant interference with President Obama’s last months of
governing. But regardless of how
you label it, I need something everyday to adjust my attitude. A steady dose of
alcohol at Christmas parties got me through December. Movies took over in the
New Year. In January, the for your
consideration DVD copies of Golden Globe and Academy Award nominees started
to make their way into our community and my intense movie binge began. The behavioral
pivot I was hoping for after the inauguration didn’t happen. My movie consumption
doubled. Once the awards season ends bootlegs slow to a trickle and the movie
house seldom screens anything I want to see. How will I assuage my soul in
February?
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